HOLLOW

Hollow details the multi-layered artistic practice of Nina Frankova through photographic documentation and an accompanying series of texts and essays by invited contributors Kris Dittel, Denisa Kollarova, Pedro Moraes and Anne Grotte Viken.

Though Frankova's practice is mostly rooted in ceramic clay, she has maintained a fascination with basic forms, found shapes and the residual materials collected throughout the making process, often pausing to appreciate and reflect upon the beauty of primary procedures in working with the clay.
These moments of pause and reflection play as significant a role in Frankova's work as the formed artifacts themselves, and aid in thinking about the meaning of making new objects, whilst locating symbolism and metaphorically taking the formation process a step further.